Lou Reed went through the bootlegs to come up with the pounding “Foot of Pride,” which is perfectly suited to Reed’s declamatory style

The traditionally show-stopping Eric Clapton, who performed a duet with Dylan on "Sign Language" from his No Reason To Cry album in western film Pat Garret And Billy The Kid, in which they both appeared. Even earlier, however, Kristofferson worked as the studio janitor during the famed The riveting acoustic rendition of "Masters Of War" by Pearl Jam's Eddie Vedder and Mike McCready, was arguably the evenings most pleasant surprise. These two young Dylan fans didn't need any loud Seattle sonics to get across Dylan's pointed protest classic from "The Freewheelin' Bob Dylan." Vedder, who blissfully watched rehearsals for the concert from the front row of a nearly empty Madison Square Garden, proved with his wonderfully intense interpretation that when it comes to a great song, there's no such thing as a generation gap. John Mellencamp, who's been covering "Like A Rolling Stone" in concert for years, bravely took on the Dylan classic early in the show and Marquesee, Mike (2003). Chimes of Freedom: The Politics of Bob Dylan's Art. New Press. pp.105–106. ISBN 1-56584-825-X.

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Everyone from Sting to Bettle Midler to the Heptones has covered "I Shall Be Released," but Chrissie Hynde, the gifted Pretenders auteur, managed The 30th Anniversary Concert Celebration - Deluxe Edition includes new notes by pop music historian Bill Flanagan. time "Saturday Night Live" band leader and veteran Dylan guitarist. Also making a significant contribution to the proceedings was session drumming Crew for House Band: Anthony Aquilato, Jeff Shaw, Lisa Sharken, Cesar Diaz, Artie Smith, Richard Brister front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured

Crew For House Band -- Anthony Aquilato, Jeff Shaw, Lisa Sharken, Cesar Diaz, Artie Smith, Richard Brister a b c Whitburn, Joel (2008). Top Pop Singles 1955–2006. Record Research Inc. p.130. ISBN 978-0-89820-172-7. Campbell, keyboardist Benmont Tench, bassist Howie Epstein and drummer Stan Lynch - were in peak form, offering a totally inspired

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Music critic Robert Shelton has interpreted this refrain as "an internal dialogue between what he [Dylan] once accepted and now doubts." [2] Shelton also notes that the refrain maps a path from Blakean experience to the innocence of William Wordsworth. [2] The refrain has also been interpreted as Dylan celebrating his "bright, new post-protest future." [6] and longtime musical partner, teamed up for a surprisingly celebratory, down-home version of "It Ain't Me, Babe," a song from Another Side Of Chorus: Cissy Houston, Katrice Barnes, Gary Houston, Jerry Barnes, Rosse Mitcham, Gynnice Coleman, Leotis Clyburn, Curtis King, Brenda White King, Dennis Collins, Christine Ohlman, Sheryl Crow

The 30th Anniversary Concert Celebration, which reached #40 in the US and went gold,was released in August 1993 just before Dylan was about to deliver his second folk studio set inside of a year, World Gone Wrong. The concert was dubbed “Bobfest” byNeil Youngat the beginning of his “All Along the Watchtower” cover.Or the 2-CD of music from the concert. 2-CD Set listing of Bob Dylan 30th Anniversary Concert Disc: 1