240ml GlitterBug UV Potion for Hand Hygiene Training

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In early Glitterbug years, when I was still a bit lost and didn’t really have a fully developed sense of artistic direction yet, I sometimes tried to make music that would sound more like this or that, just to be able to fit somehow and somewhere.

On top of all the lovely things they posted and shared about Dust, they asked me to record a new exclusive podcast for them, and they also did a super long interview.I still feel very at home in these places, and they always shine through the surface of my music I guess. If the hands are then placed within a UV cabinet (TEST0108) or UV torch (TEST0055, TEST0195 or TEST0210), it will highlight the areas where the gel has not been applied properly. The other big touchstone for Dust in particular is his close friend and fellow producer, Gold Panda.

We were so impressed with the album that we invited him to record a mix and discuss the album in detail. The slo-mo techno of Glitterbug is the aural equivalent of a long, hot electronic bath after a very hard day. Nobody had found such nice words for ‘Apparition’ (one of the tracks on Dust) yet… but read for yourself, and don’t miss the rest of the reviews to be found here!

On their first two albums, the Wombats offered a blend of jumpy indie rock and lovable goof personas, but on their latest, Glitterbug, the sweet silliness has dissipated. Derek Jarman, arguably Britain’s most visionary filmmaker since Michael Powell, reinvented himself as often as Picasso.

The album was produced by Mark Crew alongside the band themselves, and was released on the 13th of April 2015. It’s actually an album that I wrote for dead friends, about the stories and experiences that will bind us together forever.Not being happy with your place in life, being an outsider in school (and so forth) pushed me further towards art and music and alternative forms of expression as well as venturing off to imaginary worlds that often felt more welcoming than the real world. For tracks that I don’t have or that don’t exist on vinyl, I use one of those silly DJ programs with vinyl control.

With “Look Around” I chose to break the album mood entirely, and to pull the handbrake with all force. And if you still aren’t excited about new music after reading this article then just play ›Midtown 120 Blues‹ on repeat. Tracks that stick out for me are ‘Far Far Light‘ for its simplicity, moodiness and minimalist production. Glitterbug’s last album was a highly introspective and personal affair (2012’s Cancerboy), giving an audio approximation of the producer’s childhood battle with cancer.

Rolling Stone gave the album a positive review, singling out "The English Summer" and "Isabel" as "terrific". Derwin at first asked me if I’d like to do an EP for Notown, and I took the entire arm rather than just the little finger (can one say this in English?