Due to its small size, FRFR 108 is better for smaller rooms and studios. It has a good sound quality for the price it is selling for. It is very simple to use and easily installable.

The perfect match for your Kemper profiler. This is an all singing, all dancing FRFR speaker that, unlike most other models in this category, projects in a more directional manner – like a traditional guitar amp or cabinet would. The result is a cabinet that not only sounds great but, when playing through it, really feels like you’re using an old school valve amp. Connectors: (2) XLR/TRS 1/4” (6.35 mm) combo inputs, (1) XLR link output, (1) IEC power cable input The HeadRush pedalboard turned heads (and ears!)when it was released in early 2017, with itsamps and effects emulationmaking it a hugely versatile and all-encompassing piece of gear. With the ability to use the pedalboard in conjunction with amplifiers or direct with front-of-house PA systems, HeadRush have now unleashed their very own tailored speaker for thecutting-edge pedalboard. If you are using it in a live context, think about how you’ll be sending your signal to the sound engineer. If you’re playing in smaller venues and you’ve got an FRFR speaker with a good amount of power, then you’ll probably be OK with just that and your modeller – you might not need to send a feed to front of house (FOH).The HeadRush FRFR-112 provides 2000-watts of peak power, that delivers clarity, punch and ample headroom for any venue. With the ultra-convenient XLR output, FRFR-112 seamlessly sends your mix to FOH equipment or links to additional FRFR-112 cabinets where increased stage-based amplification is required. Whether you are using the FRFR-112 as a floorboard monitor wedge or your main amplification source, all the critical power and connectivity options are included to ensure you are primed for any scenario.

HeadRush Electronics are a fairly new name in the guitar industry, but they’ve been making waves with their HeadRush Pedalboard and Gigboards. Both arethe ultimate in easy-to-use gig-rigs-in-a-boxand haveeverything youneed to go and get gigging without an amp or pedalboard setup. They'd need to sound way way better than the Alto TS210s I used for both monitors and sometimes my AX8. I now use an older XiTone for my AX8. Which compared to the Alto stuff ... there's a huge difference. The XiTone crushes the Altos. Period. Which shouldn't come as a surprise. NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. Drivers: Low-Frequency: 12.0” (305 mm) low-frequency driver, 3.0” (76 mm) high-temperature voice coil. High-Frequency: 1.4” (35 mm) voice coil, neodymium-magnet high-frequency driver with precision waveguide As for the contour button: I can't imagine this being necessary unless you're playing at very low volumes. Anything from normal amp volumes up to loud means that the button will be disengaged for me.

Now, the 12" version may (I have never tried....) move a bit more air compared to the 8" which may give you a more amp feeling when playing. I don't think however that sonically there will be a major difference. In that respect I owned a Behringer KXD 12 for some time and that speaker really looked like an amp and actually also gave a bit that "amp in the room" feeling. Power: Connection: IEC. Input Voltage: 100 V~. 110–120 V~, 220–240 V~; 50/60 Hz (switchable). Fuse: 100–120V T10AL AC250V, 220–240V T5AL AC250V. Consumption: 800W.

With Fender’s history of pioneering tube amplification, it’s hard to believe that it's stepped foot into the world of FRFR speaker cabinets – but we’re glad it has. Released specifically to pair with its Tonemaster Pro floor modeler, this speaker cabinet has been expertly crafted to deliver precision replications of your digital amplifiers and effects without any coloration. If your amplifier has output lines or emitted effects, you can use that, but don't use a powered head speaker with it because it can damage both. Wrapping Up The Boss Katana is of course, a great modeling amps in its own right, however the new and improved MKII version also has the option to be used as a powered speaker for your modeller or profiler. The speaker has been voiced primarily for the sounds built into the amp, so it might not be completely FRFR, but it’s close enough to do a good job. The reason is that FRFR 108 is created for use with electric guitar modelers. It would be great if you play in a small practice space or at a lower volume. The Headrush amp and effects modellers are some the most popular out there and, as you might expect, they pair wonderfully with the matching Headrush FRFR speaker. The Headrush FRFR-112 is a lightweight 1x12” active speaker that will give your Headrush floor unit, or indeed any other passive modeller, the sound and response that you can only get from moving air with a speaker.If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

Specially-voiced 12-inch woofer and high-frequency compression driver deliver a precise, full response across the entire frequency range without any artificial colouration The HeadRush Pedalboard stormed the market with groundbreaking innovation in FX and Amp modeling. Now that you’ve elevated your rig to the new innovative standards of today’s modelers, don’t rely on the limited frequency response of a traditional amplifier or PA speakers. You need the FRFR-112.Running into the Katana MKII’s power amp input bypasses all the controls on the amp, apart from the master volume knob and the power control section which allows you to run it at either 100W, 50W or 0.5W. It’s super easy to use, and it’s quite nice having the controls on the top of the speaker. If you plug the amp into your computer, you can use the Katana editing software to boost or cut the low end too, so you can really tune it into whichever modeller you’re using. If you’re a guitarist or a bassist and you make use of modelling technology, the Headrush FRFR 108 would work just fine for you. It is also for those who desire a straightforward, inexpensive, and potent studio or home practice setup. The benefits of an FRFR speaker for your stage monitoring and a DI output for front of house is that the audience should get a near-identical sound as you are getting onstage – a sound that you’ve spent time making sure is absolutely perfect! Whether you're sculpting ambient textures or delivering high-gain riffage, our guides cover a spectrum of FRFR speakers, from budget-friendly options to premium choices that cater to the demands of professional guitarists. Each recommendation in our guide has earned its place through meticulous testing, guaranteeing that whether you're in the studio or on stage, the selection of FRFR speakers from Guitar World will help you achieve the perfect guitar tones.