Ektachrome Movie process introduced in 1971 (movies without movie lights). The process was later designated EM-24

In contrast, with the exception of the very last Kodachrome K-labs, the processing machines for Kodachrome were very large and processed large reels of film made up of many customers' rolls spliced together on to one large roll. The processing machine I am familiar with was the size of a city bus (and much louder) and the reels of spliced film consisted of about one mile of leader, one mile of spliced film and then another mile of trailer. In busy times of the year, it was run almost continuously throughout a 24 hour day - reel, after reel, after reel. They've already produced some 'pilot coatings' that they are testing to ensure they're ready to mass produce Ektachrome that's up to snuff.Process E-6 Using KODAK Chemicals, Process E-6 Publication Z-119 | Chapter 10: Rotary-Tube Processors" (PDF). Kodak. Archived from the original (PDF) on February 5, 2005. Kodak Ektachrome 100D Color Reversal: Film 5285 / 7285 Discontinued" (PDF). Motion.kodak.com. Archived from the original (PDF) on November 2, 2013 . Retrieved May 14, 2015.

Schwartz, Dan (March 8, 2004). "Why two step fixing is a Really Good Thing". Photo.net. Archived from the original on June 24, 2007 . Retrieved 2007-07-04. Note this Photo.Net discussion thread reprints the technical paper Post Development Processing by Dr. Michael J. Gudzinowicz (1998). But in the Ektachrome images I personally think are my best, it’s the depth that I’m most impressed by. The layers and separation between elements. Everything I’ve shot before on negative film seems a little flatter and more two-dimensional in comparison. What I like about the Ektachrome 100SW recipe is that it produces a color look that reminds me of some images that I have captured with the actual film. The film was good for western landscapes or any situation where you needed some color saturation with a warm color cast. It wasn’t around for very long because it was only marginally commercially successful, but it was one of the better variations of Ektachrome film in my opinion. I should also mention before I go on that everything I’m about to say is my fault. I could have done a better job. I could have used a warming filter. I could have used a separate light meter and not just the one in my decades old Yashica Electro that I can’t be sure of the accuracy of.It is also worth noting how well the films scanned. These images were developed and scanned at home, but the files needed very little adjustment post-scanning – which is really a testament to the quality of the film. The 70+ year era of Kodak slide film was over. And while I wasn’t paying attention at the time, I imagine most people thought it was over forever. Schwalberg, Bob (July 1984). "Battle of the Chrome Speed Champs". Popular Photography. pp.56–59 . Retrieved 6 September 2023. Although the names sound similar, there are three different types of slide films that make up the current offering from Fujifilm, and each are distinct with their own specific strengths and weaknesses. Fujichrome Velvia 50 Rinses, washes, stop baths and stabilizer/final rinse (the final step of the process) are not counted in the counting of baths when describing both the conventional six bath and hobbyist three bath processes.