Zoom H5 4-Track Portable Recorder for Audio for Video, Music, and Podcasting, Stereo Microphones, 2 XLR/TRS Inputs, USB Audio Interface, Battery Powered

Product Information

Also, whilst the Zoom H6 screen is angled slightly down (see image below), the H5 is not. This is neither a good thing, nor is it a bad thing, as it just depends on what you’re using the device for. To start recording, press the red button two times. If you press only once, you will see a blinking light, and you will be in “record pause” – in record pause, you aren’t yet recording. Make sure you press the button twice and see a steady red light. You’ll see the timestamp on the screen start to advance.

HD livestreams require a lot of bandwidth, and the last thing you want is a lagging signal. A streaming encoder solves this issue by compressing your audio and video into a size that's more manageable for your computer. CREATIVE & TECHNICAL ACHIEVEMENT WINNERS ANNOUNCED AT THE 30TH ANNUAL NAMM TEC AWARDS Hosted by comedian Sinbad" (Press release). Carlsbad: TEC Awards. 24 January 2015 . Retrieved 31 August 2015.

Recording Times & File Formats

The retail box includes several accessories, such as X-Y Microphone capsule, rubber-foam windshield, plastic case, two AA batteries and a manual. That being said, if you think you might one day need to plug in a few extra microphones, it’s worth spending a little bit of extra money and getting the Zoom H6.

If all you need is to connect a maximum of two microphones to it, like in a one on one interview setting, the Zoom H5 will suffice. That being said, if you think you might one day need to plug in a few extra microphones, it’s worth spending a little bit of extra money and getting the Zoom H6. Unlike on the Zoom H4n Pro, the Zoom H5 is modular. The X/Y microphone at the top can be easily removed, and replaced with quite a few different types of microphones, as easily as you would swap out a camera lens. The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner. The modular approach greatly increases the unit’s flexibility. I’ve used my old Zoom H4 for location recording and it worked well, but I think the H5, like the H6, has taken the versatility to a new level. For film work in particular, the addition of the shotgun and ability to record a couple of lavaliers at the same time, all with different levels, will be welcome.The actual dimensions for the Zoom H5 are 7.77 x 2.63 x 1.66 inches, and it weighs 9.52 oz (269 grams). The Zoom H6 comes in at 14.46 oz (410 grams), and measures 8.39 x 3.1 x 1.88 inches. X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. ZOOM H5 - Somewhere Between H4 and H6". Ty Ford Audio and Video. 2 August 2014 . Retrieved 31 August 2015.

I read manuals before using a product, but I was slightly confused by the multi or stereo recording functionality - however, following the instructions fixed this immediately. Overall I'm finding it easier to work with than the H4N - press the record button and it records! Guessing that was something Zoom listened to customers on. The onboard mic isn't that great but is definitely workable. The XYH-5 mic capsule’s design means the H5 can handle up to 140 dB SPL which is the same as a jet aircraft from less than 200 feet away, and compression and limiting let you keep the levels under control. Zoom’s H4 has been hugely popular, and with the H5 it seems its few shortcomings have been ironed out. Zoom's preamps seem to be all slightly noisy on their own, Not that much to say "this mic is scam", but you know, high enough to say "ok, I know you're there, I'll just fix you if needed".when you push the gain dial on a XLR input over 6~7, self noise of preamps will become apparent (can be mitigated if you use something like a Fethead/Cloudlifter) XLR/TRS combination inputs with microphone preamps and phantom power (+12/+24/+48V) accommodate most analog connections