If you were to drive this point home in Howlett’s presence he’d cringe. He isn’t known for accepting compliments lightly. Forever lurking in the shadows, tweaking knobs and quietly moulding events as they unfold. This is always the mark of the true genius. Machismo, pouting and controversy does not maketh the rebel. Delivering the goods is what counts. Hardnoise 'Untitled'. Published by Music Of Life Publishing. (P) 1991 Music Of Life Ltd. Licensed courtesy of Music Of Life. LL Cool J 'Get Down'. Published by Island Music Ltd. (P) 1987 Def Jam Recordings. Licensed courtesy of Polygram Licensing Division. Available on the Def Jam album 'Bigger And Deffer' (5273532). Last copies was overpriced by the closing label and sold out in August 2000. Never re-released in Poland.

Coldcut, " Beats and Pieces" ('Honey i have rhythms i haven't used yet'/ Laugh sample Outro) (1986)

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Darth Fader and Scarecrow Willy, " Toasted Marshmallow Feet Braxe" (1995) (Drum Loop) taken from Schoolly D, " P.S.K. What Does It Mean?" (Drum Loop) (uncredited) (1985) And even sort of putting the Sex Pistols in, those are just records I really like. I don’t have to sort of try and be a dance DJ, you know, you’ve got the Chemicals and Fat Boy Slim doing that stuff. So I felt that, what I’m about, what music I do actually like, you know, is really old school hip-hop, punk and the breaks. The type of people that will buy this record will be the people that want to know what goes on inside my head when I’m in the studio writing the music, and so that’s basically the whole idea behind it, you know.” Home – usually an alien concept for Howlett – is the lush English Essex countryside. Relaxation is found amidst the foliage of the bonsai trees in his newly-constructed Japanese garden, or mixing up The Dirtchamber Sessions over the course of five days. When I did it, I really enjoyed it. The album is just me - the music is where the inspiration for the Prodigy comes from. It won't sell many copies but it's important that the fans have something that's full of stuff that's in my head when I'm writing

West Street Mob 'Break Dancin' (Electric Boogie)'. Published by UK: IQ Music Ltd/USA: Regent Music. (P) 1983 Sugar Hill Records Inc. Licensed courtesy of Castle Music Ltd/Rhino Entertainment Company. James Brown, " Talkin' Loud and Sayin' Nothing" (Keep on singin', keep on singin'! sample) (uncredited) (1972) Beastie Boys 'Time To Get Ill'. Published by Polygram Music Publishing Ltd/Island Music Ltd. (P) 1986 Def Jam Recordings. Licensed from Polygram Licensing Division. Available on Def Jam album 'Licensed To Ill' (5273512).Chemical Brothers '(The Best Part Of) Breaking Up'. Published by MCA Music. (P) 1996 Virgin Records Ltd.

John (Lydon) turned it down initially and I couldn't understand why, so I faxed him saying, "John, give us a bell, it's Liam from the Prodigy - I want to use your record on a mix. " He phoned me up the day before New Year's Eve and said yeah. He said he was in a bad mood the day he turned it down. " Darth Fader and Scarecrow Willy, " Toasted Marshmallow Feet Braxe" ('OK' intro sample) taken from "Man on the Moon" The Apollo 11 mission (1969) + Simon Harris, "Weather 1" from BB&S Vol. 11 (Weather storm sample) (1993) Diehl, Matt (5 June 2001). "The Prodigy - Prodigy Present the Dirtchamber Sessions Volume One". Rolling Stone . Retrieved 19 November 2023.

Q&A "I Built A Japanise Garden"

King '900 Number'. Published by Street Tuff Tunes. (P) 1992 Tuff City Records. (Licensed courtesy of Tuff City Records). Weingarten, Marc (16 April 1999). "Prodigy Present the Dirtchamber Sessions Volume One". EW.com . Retrieved 8 July 2015. I don’t think we’ve ever been accused of that. I think we’ve always had our own style, and the thing I’m most proud of with this band is kind of, there seems to be this kind of path that most bands seem to follow. It’s a sort of road through doing certain interviews, going on TV, and it’s a sort of road to stardom, or whatever stardom is, and we haven’t followed any of those. We’ve done our own thing and chose our own path, and that’s something we’re most proud of …”

What's all this bullshit? DCS is only 51 mins long. 2021-01-07T14:27:53Z Comment by Top Rhythm.macrocosm.MOZARTtune.intelligent.妙音 Sex Pistols 'New York'. Published by Stephen Philip Jones/Warner Chappell Music/Rotten Music Ltd. (P) 1992 Virgin Records Ltd. Courtesy of Virgin Records Ltd/Warner Special Products. Simon Harris "#1 Stab" from BB&S Vol. 3 (1992) (Trumpet sample) taken from All The People featuring Robert Moore, " Cramp Your Style"(1972) Ultramagnetic MC's 'Give The Drummer Some'. Published by Next Plateau Music (ASCAP)/Ultramagnetic Music (ASCAP). (P) 1988 Next Plateau Entertainment. Used by permission of Roadrunner Records. Music For The Jilted Generation with its claustrophobic slap and morphic sting soared into the number one slot on the British album charts, spurred a Mercury Award nomination and went on to sell over 1 million copies globally. It was fractious, bombastic and blatant. Dark break beats clashed with maniacal acrylic guitars and gave Howlett kudos that he never managed to live down.D.S.T. 'The Home Of Hip Hop'. Published by D Street Music (BMI)/Chu Teh Music (BMI). (P) 1985 Celluloid Inc. Licensed courtesy of Lendway. Also 'Extra thanx goes out to: John Lydon, Jimmy Cauty, Bill Drummond, Mary Anne Hobbs, Martin James, Kathy (Beggars), to the R.' Well, on the album, there's some cheeky messages to people, by the use of certain lyrics and certain bands." And 'The inspirations: Double Dee and Steinski, Coldcut, Big Apple Productions, Flash On The Wheels Of Steel, DJ Cheese, Cash Money, Cutmaster Swift, Mixmaster Mike, Scratch Piklz and The Artists On This Record.' Peter Murphy. "The Dirtchamber Sessions Volume One | Music Review | Album". Hot Press . Retrieved 8 July 2015.