In 1x2 it turns out that one woman who's accused of murdering another was her lover, which is a nearly unthinkable scandalous concept since this is Italy of the 1880s, and thus they keep it secret. Arguably the most controversial film on the list, ‘Ma Mere’ is easily the most disturbing and unwatchable film about incest ever made. The film features the great Isabelle Huppert playing an incestuous mother obsessed with sex who asks her son to have sex with her. They make violent love as Helene asks her son to physically hurt her by cutting her abdomen, and as his masturbation reaches its climax, she slits her own throat. The film is blatantly provocative and, for the most part, plain unwatchable, but you just fail to take your eyes off of an explosive Isabelle Huppert, who is in top form here. I open my eyes, trying to speak out but I'm too scared and the tape hurts my mouth - why was Daddy doing this? What did I do wrong? I'm so scared - Daddy turns around and he has a hammer. You can find her at the swimming pool on Saturday Afternoon. After the first spanking, she will start asking you to bring her a Sunscreen from the Laundry room.

In the days of increasing political awareness, it can be challenging to keep up with your district’s elected officials. That’s why Vote Smart is one you should definitely save to your Favorite bar. Type the name of your elected officials into the search bar to reveal their complete voting history.This Hungarian gem is a criminally underrated drama that explores a poignant incestuous relationship between an estranged brother and sister. The film possesses a dark tone that reflects the unusual relationship between its characters, but it doesn’t tend to exploit the provocative nature of the story. There’s a sense of lurking danger felt throughout the movie, but the way it portrays its characters and their relationship make us empathize with them rather than trying to put us off with blatant emotional manipulation. When people say European cinema, the names most often mentioned are Andrei Tarkovsky, Ingmar Bergman, Jean Luc-Godard, Luis Bunuel, Michael Haneke, and so on and so forth. But Krzysztof Kieslowski‘s name is often sadly overlooked, and in my humble opinion, he’s right up there with the aforementioned greats as one of the finest auteurs European cinema has ever produced. He had this ability to get so deeply personal and intimate that it leaves you soaked in a plethora of emotions. After you give her money, Wait for her at the Living room. You'll find her talking with her friend Julia at the enters.

I cry as Daddy spins the table around, the wheels making screeching sounds on the floor, I scrunch my eyes up as the table is wheeled right under the bright light and Daddy goes to a corner: A Short Film About Love’ was the cinematic extension of the sixth episode of his highly acclaimed Television drama ‘Dekalog’ and was one of his underappreciated works. Teenage angst and sexual infatuation have never been portrayed so beautifully in cinema as Kieslowski paints the madness, the enigma, the ecstasy, the melancholy of human emotion so delicate yet so profound and magical to be put into words. I wouldn’t give away much of the film here as it’s a film that means so much to me. It’s sad, painfully truthful, yet intoxicating. Where Hands Touch: Kerstin's past affair with Leyna's father. Leyna's romance with Lutz too. Both are condemned as a result of racism. In the latter case, it has actually been made illegal by the Nazis. Rafiki: Kena and Ziki's relationship isn't accepted not just because they're a same-sex couple, but due to their fathers' opposing political candidacies (although Kena's dad isn't aware that it's more than a frienship at first). This is a Super-Trope, although it depends on the cultural values presented in the work. However, incest is often considered a universal taboo, and pedophilia is likewise frowned upon in many cultures ( to put it lightly). As such the following almost always qualify:Saving Face: Wil and Vivian can't be out about having a relationship due to homophobia prevalent in the Flushing Chinese-American community. Always Coming Home: In Ursula K. Le Guin's future history, the Kesh people divide themselves into The Five Houses of Earth. Relationships between people in any one of the Five Houses are taboo and treated as incest, even absent any familial connection. Le Guin describes this by analogy to moiety kinship systems in various real-life cultures. Daddy's grip gets tighter and tighter, it began to hurt and I cry out again - Daddy's eyes grow wide and he lets me go, as if he is frightened... I run up the stairs and slam the door shut as I hear Daddy racing up the stairs again. I just froze. I didn’t know what to do,” Eliza recalls. “He’s just shooting the breeze with my boyfriend, and my boyfriend is trying to just play it off and is holding a conversation like I’m not even there. So I just stayed down there, perfectly still, waiting for him to go. He talks for what seems like is eternity (probably only two minutes). Then I hear him say, ‘See ya later… you too Eliza.’ I thought I was going to die of embarrassment.”