She plans with extreme precision and executes these plans with ease and no regrets. It is only on reflection that I realise just how vile her deeds were. While I was absorbed in her world, the violence and immorality of her acts was camouflaged by her planning, precision and rationalisation. The ending broke my heart a little, but I didn’t feel like it affected my enjoyment of the book at all. In fact, I found myself racing to the end to digest all the information. And her killing her cousin, who is nice and rejects the wealth just because she thinks that because he's a man he will give in eventually and become like them anyway... Well, it felt very forced and not really a great reason to kill anyone. The idea is promising, Grace is a likeable character and the first chapters really hook you, even if you don't understand everything. But from there on is just a bunch of facts of her life after another, casual things that happened to her, the only two people still in her life and that horrible cellmate she unfortunately has. one of the main themes of the book was about class, but it wasn’t really discussed in any profound way, and it actually became quite trite after a while. basically the whole book involved snipes at the rich/the upper classes (which i’m usually all here for) but THEN i discovered that the author of this book is alan rusbridger’s daughter and her grandfather is a baron….so she clearly moves in some privileged social circles herself, not exactly a working class hero. after that little discovery, the constant digs at privileged white people prompted a few eye rolls from me.

Grace Bernard is in Limehouse Prison serving a sentence for a crime she didn’t commit but that doesn’t mean to say she hasn’t committed some! To relieve the boredom and the inane chatter of cell mate Kelly she decides to write her astonishing story. This tell all explains exactly what she is guilty of! This is a novel about rejection and betrayal, revenge and retribution. We meet Grace in prison. But as rings true throughout the novel as a whole, she is there for reasons we later discover are far more complicated than would be contained in a straightforward murder – arrest – imprisonment plot.Surprisingly, even though I was privy to all of the grisly details of Grace's horrific crimes, I never stopped rooting for her. Writing from prison, Grace tells the reader: “After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.” Perhaps this assertion in the prologue is true, but having spent eighteen chapters immersed in Grace’s head, I came pretty close to understanding just how she did it. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. Yes, this book is truly in a league of its own. It's chilling and disturbing; yet, also LOL humorous. Grace has a plan in life: revenge. I'm not here to criticise that, her father is awful and her family are all assholes; you go, girl! But good revenge needs a smart way to be accomplished.

I spent my 20s enjoying journalism but also knowing ‘I have slightly stumbled into this’. I knew lots of journalists, my dad was a journalist. I did it without thinking about it. And then I thought, ‘I don’t really know where I’m gonna go with this, because I’m not my dad ...’” She left journalism aged 33, to write Jog On and says that writing the book “felt like the beginning of my life”. The story follows Grace’s plan to kill her family, for crimes committed against both her mother and herself. I didn’t find the reasoning for the vendetta totally compelling, but as the book progressed, I felt it actually didn’t matter. It was really fun following her process - doing the research, plotting the death and then carrying it out. It’s not always straightforward (it would be a dull story if it was) but it’s quite the wild ride.Casale added: “Every few hours I suddenly remember that Harriet is my editor and Viking is my publisher and it’s not just an amazing daydream. Harriet’s pitch captured everything I want this novel to be; from the start, she and the whole wonderful Viking team have embraced me and the women in the book with all the solidarity that lies at the heart of the story. I can’t imagine better partners in bringing the book to readers and hopefully becoming one more voice in the fight to change the endemic nature of male violence against women and girls. Grace is clearly intelligent for example— she comes up with ingenious ways to kill her relatives without leaving any trail. Yet she completely misreads the character of her cell-mate in prison. She is scathing about wealthy people with their expensive tastes in clothing, wine, and houses yet after her mother’s death she was raised by a high-income couple who taught her to enjoy the finer things in life. So Grace has benefited from a similar privileged life that she criticises other people for enjoying. How To Kill Your Family is a dark, sometimes brutal, delight of a novel that had me giggling one moment and cringing the next. This is not a cozy story, but there is PLENTY of dark humor and snark, which I adore. Grace is not an angel, and this may sound terrible, but I really liked her and rooted for her the whole time. I don’t need to like characters but it helps to engage with them if there are some nuances to their personalities. I didn’t get that with this novel. Having killed off six people — a few of them in gruesome circumstances in a sauna or a sex club — Grace shows little remorse. Even people who had nothing to do with her father’s treatment of her and her mother got bumped off simply because they are heirs to the fortune she believes is rightly hers.