The Naked Truth About Harrison Marks

Product Information

The results of these raids were generally not good, but the use of zeppelins as bombers would continue until the end of the war. One such film, Witches Brew (1960) features Pamela Green as a witch casting spells; Marks makes a brief appearance as her hunchback assistant.

George Harrison Marks collects women like other men collect porcelain, paintings, cigarette coupons or trading stamps” claimed the book’s blurb. he looks like a comic’ He said ‘Yea, he’s a really funny guy he’s got a gun in his pocket and he’s with the mob’. In 1958, as an offshoot of his magazines, Marks began making short films for the 8mm market of his models undressing and posing topless, popularly known as “glamour home movies”.Compared to magazines like Fiesta, which even at its most risqué never showed more than the odd bare behind and a see thru top, Kamera really delivered the goods, with female nudity on display pretty much cover to cover, the Marks and Green team’s quality photography, along with their creative use of sets, props and costumes, set a new, high standard in nude photography, giving them an immediate edge over the no-frills approach of the competition. Pam was soon on her way to being recognized as Britain’s most famous nude model, and naturally the sight of the glamorous blonde being driven around in a Cadillac by a goateed, cigar-chomping Svengali looking type who took pictures of nude women for a living, turned heads and generated tabloid interest. No, the line came from a little known actress named Donna Selby, who National Spotlite scribe Hugh Wells interviewed in London. Marks implied in several interviews over the years that the film was financed by the criminal element. Its hard to believe Rita and Pam were one in the same person, yet this piece of trickery was all achieved with merely a wig, a change of costume and some imaginative set direction.

Elle, Bob and Elizabeth merely shows three hippies fucking, and ends with a close-up of a newspaper headline concerning Lord Longford attending a performance of Hair; “Lord Porn sees nude musical Hair”, which presumably amused Marks, who wasn’t a fan of Longford or his female equivalent Mary Whitehouse. Just to show there is more to the man than boobs however we get to see Marks judging a beauty contest and making an 8mm children’s film, with himself and Stuart Samuels as pirates.I’m more erotic in my fantasies when I’m posing as someone other than myself” Green later told Men Only magazine “I think of things as Rita that would never enter Pamela’s mind”. A gifted entrepreneur, she was instrumental in the 1957 launch of Marks' massively popular 'nude studies' photo magazine Kamera, and sometimes appeared inside. Marks finally got a job taking portrait shots of Norman Wisdom while Wisdom was appearing at the Prince of Wales theatre in Bernard Delfont’s “ Paris to Piccadilly”, a British version of Folies Bergere, and a sort of predecessor to Paul Raymond’s saucy stage farces. Marks and Stuart also hung out with other local boys, including future double act Mike and Bernie Winters, although Bernie “became something of a hindrance, and we would contrive numerous ways to lose him if he tagged along with us”.

H. Elliott, who Marks had seen as a kid and much to his mother’s horror, later tried to emulate by daubing himself in indelible ink. The teenage Harrison Marks and Stuart decided to go into business together, embarking on many farcical get rich quick schemes, the first and surely most unglamorous being stealing shit left behind by horses, and attempting to sell it to the locals as manure. School was a chore to be endured, but mostly just avoided, it was during his school days however that Marks would form a lifelong friendship with Stuart Samuels, who over the years would play a variety of roles in Mark’s life from music hall co-star, to general manager of Marks’ studio, to helping cover up Marks’ marital infidelities. While the Marks films offered in UK porn magazines throughout the 1970s appear to have been softcore, and their pornographic nature greatly exaggerated by the ads (a familiar trait of David Sullivan), from the early 1970s onwards Marks had begun dabbling in more explicit material.In his biography Marks sites a plethora of reasons for the break up, was it Pam’s jealously of the other models? Pam set me up, she started it all, in many ways I owe much to her” acknowledged Marks in his biography, in which he also refers to her as his “anchor rock”.